Magnum Editions: Harbor of Kowloon, Hong Kong, 1952 Art symbolised the Cold War and

symbolised the Cold War and

I was asked by a friend – Dick Lester – who was about to direct the first Beatles film ‘A Hard Day’s Night’

a 1959 movie adaptation of Tennessee Williams’ one-act play of the same name – offers a window onto a production that was fraught with tension

in the middle of the roll I started to focus on the young man on the wall

Ian Berry’s work has recorded a unique aspect of the South African experience: the duty to ‘live apart’ while occupying the same space

Magnum Editions: Harbor of Kowloon, Hong Kong, 1952 Art symbolised the Cold War andWerner Bischof was born in Switzerland in 1916. He studied photography with Hans Finsler in his native Zurich at the School for Arts and Crafts, before opening a photography and advertising studio. Disliking the superficiality and sensationalism of the magazine business, he devoted much of his working life to exploring the order and tranquility found in traditional cultures around the world. Pictured here in 1952, the Harbour of Kowloon appears as an