Vija Celmins: Television and Disaster, 1964–1966 Regular Merchandise while an artist interview offers

while an artist interview offers insight into how Marden uses the medium as a means of exploring the creation of spaces on drawing surfaces

professor of medieval art history at the University of Notre Dame

“questions the way we see and all the different systems of seeing

but rather the first focused look at the artist's use of line

She is currently affiliated with the Center for the Technical Study of Modern Art at the Harvard Art Museums

Vija Celmins: Television and Disaster, 1964–1966 Regular Merchandise while an artist interview offersThis small, intimately scaled book is the first to concentrate on the compelling early work of Vija Celmins (b. 1938). The artist is best known for her intricate representations of ocean waves, night skies, desert floors, and spider webs. Some of her first subjects, however, were warplanes, smoking guns, and other dangers inspired by images from library books, magazines, and television. In the mid 1960s, Pop Art was making its debut on the West Coast,